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It’s the early 1980s and Stephen King is at his peak as everyone of his novels is being picked up for adaptation. Enter The Dead Zone. Published in 1979, Hollywood quickly went after it. Dino De Laurentiis got his hands on it, and with the help of Debra Hill and David Cronenberg, they brought it to the big screen.

Time Stamps

00:01:55 – Welcome and Introductions

00:05:07 – Synopsis

00:06:31 – Quick Reviews

00:21:04 – Expanding the Syllabus

00:32:00 – Analysis

01:07:42 – Shelf or Trash

01:08:26 – Social Plugs and Next Week’s Film

Entering The Dead Zone

Everything is going well for Johnny Smith (Christopher Walken), he’s got a good job and a wonderful gal. Until one fateful night, when a car accident sends him into a coma. Johnny wakes five years later to discover his girl is married to another man, his job is no more, and, well, now he can see into the past and future. Johnny struggles with his new abilities and, as always, with great power, comes great responsibility.

On this week’s episode, we’re talking all about Cronenberg, King, authorship and auteurism. The topic of metaphysics and fate and how it defines life also comes up. And, of course, we have to talk about the political timeliness of the film.

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